bringing ourselves together with our partners.
the nub of the practice is becoming alert to fracture – noticing where I jump from one emotional/physical state to another.
this applies to flow of my own process and to my engagement with my partner.
a way i approach this is first to slow down so i get an early warning of creaks and cracks – maybe a sudden tightening of breath or perception of a gap between me and my partner.
sometimes it happens so fast. however, in working on my own process i can go back. re-visit that territory. find the tight crease, the air of urgency, maybe a place where my thinking leaps out of my situation. there will be discomfort!
I like to try reversing in and out of this hot spot. I try to take as much time as I can find. this needs a lot of breath. continuity in my breath. and as i come back to my breath i more often than not find a workable basis for smoothing and easing out this tricky corner of my experience. rolling slowly through and reversing back with sensitive use of the “clutch” of my breath/awareness. here is the gluing. and here is born the grace.
approaching my partner I look for synchrony. one aspect is not to surprise or split my partners apprehension of me. to this end I like to gear the whole of my movement at the same pace – torso, feet, hands and head all having the same approach velocity. for me this makes it much easier for all of us to keep tabs on what is happening. it helps me experience my unity and this is easily digested by my partner.
close to this how i support my self bridge distance to my partner. stumbling is disturbing for us all.
we have been exploring how when standing we stretch for support with feet rather than falling into them – a more insect like approach – which I became particularly aware of when practicing sword work. so sliding to sidle.
of course at speed we may find synchrony in a trot or gallop – but that’s another story….
on the more physical side things I find provide exciting challenges to me often involve challenges to my balance and any transition. I like to play on slack ropes, and balls and anything on one leg or four.
i guess we hi-light a central value in freeforming which is the development of emotional/physical continuity and coherence through as wide a range as possible. this is our challenge. this is our training territory.